16/11/2021 POLICY BRIEF: Think Tank Recommends British Government Close a Gateway for Illicit Cultural PropertyRead Now Chair of Blue Shield UK, Fionnuala Rogers, has worked with the major NGO Think Tank, The Antiquities Coalition, to release of a Policy Brief that analyses the UK’s decision to Repeal the EU Import Regulation in Great Britain and prevent the resulting risk of Northern Ireland becoming a gateway to Europe for illicit cultural property. Rogers argues that the repeal creates a gateway to Europe for illicit cultural property through Northern Ireland, where the regulation still applies, and that the UK must take immediate steps to mitigate that risk. This paper makes a series of recommendations to encourage the UK to rationalize its regulatory approach, meet its international commitments, and to set a leading example for other art market countries in cultural heritage protection.
The paper follows extensive lobbying by the UK Committee of the Blue Shield, including an earlier Press Release highlighting the issue and a Memorandum circulated to UK Government. The House of Lords cited UK Blue Shield and our Memorandum, and called the Government paper "misleading" when we challenged the Government's approach to N. Ireland in its repeal of EU Reg 2019/880 on the Introduction and Import of Cultural Goods (Hansard Debate).
24/5/2021 PRESS RELEASE: UK Blue Shield concerned UK unprepared to prevent UK becoming a gateway for looted objectsRead Now Blue Shield UK (BSUK) expresses concern that the UK government is unprepared to handle the challenges of maintaining distinct systems for the import of cultural goods into different parts of the UK and has significantly underestimated the risks this might pose to the increase of illicit trafficking through Northern Ireland. On 19th May 2021, the UK began to repeal the EU Regulation on the Import of Cultural Goods (EU 2019/880) (the “Regulation”) in Great Britain, but not Northern Ireland. The Regulation seeks to combat illicit trafficking, terrorist financing, and to protect cultural heritage. Despite agreeing with the objective, the UK Government is expected to pass the revocation quickly, as it considers it legally defective post-Brexit. The Regulation has been widely criticised for its potential effects on what many countries may recognise as legally owned objects which have no contribution to terrorist financing. However, its repeal in Great Britain but not Northern Ireland could create major challenges if the UK is not well prepared.
The Memorandum accompanying the revocation legislation suggests existing domestic laws are sufficient to prevent illicit trafficking but in reality, they are not actively enforced in the UK and do not require active checks of imported cultural goods. Furthermore, not all legislation applies equally across the UK [1], a fact which is notably absent from the Memorandum. As a result, by trying to reduce the requirements imposed by the Regulation, UK customs authorities will have to understand and operate three different sets of rules and laws to ensure no illicit cultural objects enter UK borders, depending on the point of entry. Professor Peter Stone, President of Blue Shield International, states: “The UK’s “do nothing” approach to the Regulation is a nod to the rest of the world that Great Britain is the destination for objects that do not meet the strict standards of the Regulation implemented across the EU, effectively reneging on its international commitments to tackle illicit trafficking. Culture is considered a key component of soft power and a significant part of the UK international agenda, so it is extremely disappointing that although the UK is required to enact measures to prevent illicit imports, it has chosen not to do so.” The EU adopted the Regulation in April 2019, with the aim of combatting trafficking, terrorism financing and to protect cultural heritage by preventing the import of cultural goods illicitly exported from their country of origin into the EU. Only part of the Regulation entered into force before the end of the Brexit transition period – Article 3(1), which prohibits the import of illegally exported cultural goods into the UK (and EU Member States), and which is considered retained EU law [2]. Alexander Herman, Assistant Director of the Institute of Art & Law, comments “The EU Regulation’s Article 3(1) prohibition on introducing cultural goods presents a significant expansion of the usual import restrictions for this sort of material. By repealing it, the UK may be seen to be facilitating the illicit trade, even if that is not its intention. Rather than a ‘quiet repeal’, the UK should instead come out and demonstrate its commitment to fighting illicit trade by ensuring that its existing national legislation is properly implemented and enforced at the border. Only through such actions will the UK be able to ensure that its art and antiquities market remains legitimate going forward.” The Regulation also sets out a licensing system, due to come into force in the EU in 2025, which the UK has always stated it would not adopt. However, the finalised Northern Ireland Protocol (Annex 2) (Dec 2020) declares Northern Ireland will adopt the full Regulation and the licensing system along with the EU. The Memorandum states that there will be “some impact on the movement of cultural goods into Northern Ireland” but gives no detail on how imports will be handled, nor the measures to prevent Northern Ireland being targeted as a gateway for cultural goods into the EU. Despite some acknowledgement of the impact, the Government maintains it will not change the way it imports cultural goods, relying instead on intelligence. However, this is extremely problematic: to adequately implement Article 3(1) (and ultimately the Regulation) in full, many changes will be required, and it is imperative that these measures are fully considered during the upcoming parliamentary debate. Cultural property lawyer and Chair of BSUK, Fionnuala Rogers, states: “It is highly likely that the EU will want to ensure that Northern Ireland does not become a gateway for cultural goods to enter the EU in violation of the Regulation. Equivalent checks will need to be carried out in Great Britain, and UK customs will need to ensure that cultural goods being exported to Northern Ireland, whether destined for the EU or not, have not been illegally exported from their country of origin, a check that is not currently required at UK borders. Ultimately, the UK is going to have to make some significant changes as a result of this Regulation, despite the revocation.” Once the EU licensing system is operational, UK authorities will need to issue licences on behalf of Northern Ireland and will almost certainly need some form of access to the EU database. Actively keeping the Regulation in Northern Ireland could also contribute to the offences the Regulation is designed to counter– potentially allowing goods with questionable legitimacy into the EU, effectively through a back door. The Revocation is the first step in what will become a significant separation between Great Britain’s approach to cultural goods and that of the EU and Northern Ireland. BSUK expresses its sincere concern that UK Government has not adequately considered how it will ensure adequate support, training, expertise and funding for Northern Ireland to comply with its obligations under the Regulation, or how it intends to harmonise the disjointed UK legislation in order to ensure the UK is will not become a gateway for illicitly trafficked objects. It is essential that the UK Government considers these matters during the parliamentary debate. Further, in recognition of UNESCO’s commitment to raise awareness of how to build an ethical art trade and in celebration of the 50th Anniversary of the Convention on the Means of Prohibiting and Preventing the Illicit Import, Export and Transfer of Ownership of Cultural Property 1970 (signed by the UK in 2001), BSUK also calls for a UK-wide working group to discuss how to mitigate the risks created by the inconsistent legal systems, and to support those tasked with implementing them. [1] The Dealing in Cultural Objects Offences Act 2003 does not extend to Scotland.
[2] For interpretation of “retained EU law” see section 6 of the EU (Withdrawal) Agreement Act 2018. 21/2/2021 LIVE PANEL: Following Brexit, will the UK become a centre of cultural racketeering?Read Now Will the UK become a gateway to Europe for illicit cultural property?On March 1, 2022 at 12:00 PM New York / 5:00 PM London, join the Antiquities Coalition for an engaging discussion with Think Tank Policy Brief author Fionnuala Rogers, Chair of UKBS, and an expert panel on the impact of the UK’s decision to repeal the EU Import Regulation in Great Britain, and recommendations for next steps. What was the UK’s reasoning behind the decision to repeal the regulation (and failure to replace it)?Will this repeal create a gateway to Europe for illicit cultural property through Northern Ireland, where the regulation still applies? And, how can the UK take advantage of this unique opportunity to adopt bespoke practices that fight cultural racketeering? Meet the speakersSophie V. Hayes Sophie Hayes has been a Detective Constable in the Metropolitan Police’s Art and Antiques Unit since 2016. She recently completed an MA in Cultural Heritage Studies at University College London. Alexander Herman Alexander Herman is Director of the Institute of Art and Law and co-directs the Art, Business and Law LLM developed with Queen Mary University of London. His new book ‘Restitution – The Return of Cultural Artefacts’ is out now. Tova Ossad Tova Ossad is the founder of Ossad Art Management, a bespoke registrar consultancy that is focused on the import and export of art in the United Kingdom, European and the United States as well as the application and administration of Temporary Admission accounts, British and European customs procedures, adjusting to the United Kingdom’s exit from the European Union, advice on storage solutions, and collections management. Fionnuala Rogers Founder and Director of Canvas Art Law and Chair of U.K. Committee of the Blue Shield, Ms. Rogers has been working in art law for 10 years, with a particular interest in cultural property and extensive experience in art and heritage in the Middle East, where she regularly works. She is the author of the AC Think Tank Policy Brief “Following the UK’s Repeal of the EU Import Regulation in Great Britain, will Northern Ireland become a gateway to Europe for illicit cultural property? Recommendations for the UK to mitigate this risk and seize the opportunity to strike the right balance.” Fionnuala Rogers worked with the major NGO Think Tank, The Antiquities Coalition, to release of a Policy Brief that analyses the UK’s decision to Repeal the EU Import Regulation in Great Britain and prevent the resulting risk of Northern Ireland becoming a gateway to Europe for illicit cultural property. Rogers argues that the repeal creates a gateway to Europe for illicit cultural property through Northern Ireland, where the regulation still applies, and that the UK must take immediate steps to mitigate that risk. read the briefThis paper makes a series of recommendations to encourage the UK to rationalize its regulatory approach, meet its international commitments, and to set a leading example for other art market countries in cultural heritage protection.
The paper follows extensive lobbying by the UK Committee of the Blue Shield, including an earlier Press Release highlighting the issue and a Memorandum circulated to UK Government. The House of Lords cited UK Blue Shield and our Memorandum, and called the Government paper “misleading” when we challenged the Government’s approach to N. Ireland in its repeal of EU Reg 2019/880 on the Introduction and Import of Cultural Goods (Hansard Debate).
UK Government are running a consultation on proposals to establish Freeports across the UK. Their proposal outlines the government’s proposals covering tax, customs, planning and encouraging innovation, and asks for views. Blue Shield United Kingdom has responded to the consultation to expresses concerns that the current proposal is not robust enough to prevent the illicit trafficking of cultural property. executive summaryThere are demonstrable links between Freeports and illicit trafficking of cultural property (CP) with many countries increasing Freeport regulation. The UK Government has committed to CP protection and the prevention of illicit trafficking of CP; internationally, the opening of Freeports in the UK may be perceived as contradictory to those commitments. In particular, if the UK departs from the EU’s more stringent measures to combat illicit trafficking of CP, the UK could be seen as a “haven” in which to store illicit CP if UK Freeports have significantly lower requirements. (EU measures include new EU Cultural Property Import Regulations 2019 which create an electronic import licensing system for CP coming into the EU, require export licences for at risk CP, and import declarations otherwise). As the UK’s Freeport proposals go against the trend of other countries, the UK must ensure it can demonstrate robust measures are in place to prevent illicit trafficking of CP (including that below the £10,000 threshold, which is still a significant contributor to organised crime) and that it has learned from the mistakes of other Freeports around the world.
In this Evidence and Annexes, we aim to:
Read more about the Consultation on the UK Government website
Read the Response to the Consultation on the UK Government Website 13/6/2018 UK Blue Shield Position Paper on UK Adoption of the EU Regulation on the Import of Cultural GoodsRead Now On 13 July 2017, the European Commission proposed new rules to stop imports in the European Union of cultural goods illicitly exported from their country of origin – the EU Regulation on the Import of Cultural Goods. A vote is scheduled on the 10 July 2018, and – if successful – the new regulations are expected to apply across all EU Member States from 01 January 2019. UK Blue Shield recognises that the Proposed Regulations have an important and necessary objective: to prevent the import and storage in the EU of cultural goods illicitly exported from a third country, thereby reducing trafficking in cultural goods, combatting terrorism financing and protecting cultural heritage, especially archaeological objects in source countries affected by armed conflict. However, we have a number of concerns, which we express in this position paper
There are three major flaws: the inadequacy of using the 1970 UNESCO Convention; the difficulties in establishing a source country; and the difficulty identifying items in the different Categories of cultural goods. We also express a number of additional concerns which we do not consider to be fundamental but should be considered. If not addressed, we are concerned that the proposed Regulations may be insufficient to achieve their intended goals. UKBS urges the UK Government address the concerns posed here in order to work towards comprehensive, pragmatic legislation. UKBS has also released two other papers concerning UK implementation of the 1954 Hague Convention for the Protection of Cultural Property in the Event of Armed Conflict (ratified December 2017), and the s.17 Offence.
In April 2018, UK Blue Shield released its second Position Paper on the Implementation Guidance for the 1954 Hague Convention for the Protection of Cultural Property in the Event of Armed Conflict and both Protocols (HC54), created by the UK Government. The second paper specifically focuses on the new s.17 offence created in the legislation – Dealing in unlawfully exported cultural property.
In December 2017, the 1954 Hague Convention for the Protection of Cultural Property in the Event of Armed Conflict and its First and Second Protocols (1954/1999) (hereafter the “Convention”, “First Protocol”, and “Second Protocol” respectively”) entered into force in the UK, together with the Cultural Property (Armed Conflict) Act 2017 (“CPAC Act”). The CPAC Act includes a criminal offence pursuant to Article 15 of the First Protocol which creates the offence of Dealing in Unlawfully Exported Cultural Property. (“s.17 Offence”). In November 2017 the Department of Culture Media and Sport released Guidance for art dealers and those in the art market in respect of the CPAC Act, and specific guidance in respect of the s.17 Offence (“s.17 Guidance”). UK Blue Shield welcomes the implementation of the Convention and its Protocols as an important step in the UK’s fight to protect cultural heritage during armed conflict. We also welcome the UK’s implementation of a right to seize unlawfully exported cultural property, as set out in s.19 of the CPAC Act, which we hope may contribute to the repatriation of cultural property to territories that have suffered the loss of their cultural heritage as a result of conflict. However, as the s.17 Guidance is addressed largely to those in the art market, which typically includes collectors, art dealers, auction houses and shipping agents, the majority of whom do not have a legal background, we are concerned that the s.17 Guidance lacks necessary detail and clarity in some fundamental areas which are vital to the spirit of the Convention and its Protocols. As a conviction under s.17 of the CPAC Act may attract a custodial sentence of up to 7 years, we urge the UK Government to address the concerns set out herein to provide greater clarity to those involved in the art market as to their obligations and to highlight how these obligations have changed as a result of the introduction of the s.17 Offence. We hope that the s.17 Offence acts as a deterrent and encourages all those involved in the art market to exercise due diligence when dealing in cultural property, thus ensuring that the UK fulfils its obligations under the Convention to respect cultural heritage and to combat the illicit trafficking of cultural property unlawfully exported during conflict. Read our first position paper – Implementation Guidance for the 1954 Hague Convention for the Protection of Cultural Property in the Event of Armed Conflict and both Protocols (HC54): Position Paper.
Following the recent ratification of the 1954 Hague Convention, and both Protocols, the UK Government released Implementation Guidance for the 1954 Hague Convention for the Protection of Cultural Property in the Event of Armed Conflict and both Protocols (HC54). In February 2018, UK Blue Shield released its first Position Paper on these Guidelines, suggesting a number of areas for improvement.
UK Blue Shield welcomes the ratification of this important convention, which will provide internationally mandated standards to aid our armed forces safeguard cultural property on operations and to protect cultural property in the face of future threats to the UK. However, we express our concern that the implementation of the Cultural Property (Armed Conflicts) Act may fall short of its intended purpose, placing UK cultural property at risk. This outcome would be unfortunate, given the UK’s role scrutinising armed conflicts as a Permanent Member of the UN Security Council, potentially compromising the UK’s ability to lead by both action and example in this field. HC54 is the only international treaty specifically to deal with the protection of cultural property in armed conflict. It is the only convention to set out for the defence, security, and heritage sectors the steps to be taken in peacetime, as well as during armed conflict, in order that all three sectors may take the necessary precautions, in accordance with the Laws of Armed Conflict, to protect cultural property. We urge the UK Government to seize the opportunity offered by ratification and address the concerns posed here in order to work towards the comprehensive, pragmatic implementation of this legislation.
On 14 January, the DCMS opened a consultation into the structure, management, and form of a new £30 million cultural protection fund.
Read the consultation document here: Cultural Protection Fund Consultation Several members of UK Blue Shield participated in the consultation sessions, before finally submitting the following feedback, in consultation with various organisations, including UNESCO and ICOMOS: DCMS Consultation on Cultural Protection Fund Response submitted by the UK National Committee of the Blue Shield (Alternatively, download the response: BS response to DCMS Consultation) Contact details Professor Peter Stone, Chair, UK National Committee of the Blue Shield [email protected] Q1: Do you agree or disagree with the proposed overall approach to the Cultural Protection Fund as outlined in Section 1? 1.1 This response is submitted by the Blue Shield, the international organisation recognised in the 2nd Protocol of the 1954 Hague Convention on the Protection of Cultural Property in the Event of Armed Conflict. We fully support the overall approach to the CPF and aspire to work closely with DCMS and the British Council in its delivery. This response has been complied by the UK National Committee of the Blue Shield but is submitted with the full support and endorsement of the President of the international Blue Shield. 1.2 The creation of the Cultural Protection Fund (CPF) is an extremely welcome, and extraordinarily timely, initiative. However, the particular activities of Daesh/ISIS should not lull us into the security that destruction of cultural property is a specific problem related only to the current conflict in Syria and Iraq. Cultural property is damaged and destroyed wherever and whenever conflict occurs. Cultural property protection (CPP) is therefore an issue with a long history and, unfortunately, no doubt a long future. Any consideration of how the CPF should be spent needs to take this clearly into consideration. Now the CPF has been set-up we hope the commitment to CPP by the current Government will be reiterated by future governments by the continuation of the CPF. Seen in this context, this first tranche of the CPF needs to be used to ensure it creates the long-term context and processes within the UK required for the UK to make the most effective contribution to CPP long into the future. 1.3 As the consultation suggests, the “UK leads the world in international development”. Such involvement is, quite correctly, normally focussed on issues such as education, clean water provision, immunisation, and nutrition and the Government’s success in these areas is to be applauded. However, the CPF presents the opportunity to focus attention on culture, and in particular cultural property, as a means of delivering our international obligations towards the UN Global Goals, UNESCO’s priorities, ODA objectives, and our own national priorities. 1.4 Cultural property gets damaged and destroyed in conflict for six main reasons: lack of planning; spoils of war; collateral damage; lack of military awareness; looting; and specific targeting. While none of these can be mitigated against completely, careful proactive action can significantly reduce their impact on cultural property during conflict. Such mitigation is already a central aspect of the activity of the Blue Shield and the CPF could make a significant contribution to this work. 1.5 If the CPF is to be used to maximum benefit, it, of course, needs to be contextualised within existing frameworks and activity. The main context is obviously set by the UN and UNESCO which together provide the international coordination for the protection and management of both tangible and intangible cultural property and heritage. UNESCO, in particular through its Emergency Preparedness and Response Unit, but also its wider initiatives such as UNESCO’s #Unite4Heritage campaign, provides the coordination focus for all such related activity. Particular note should be taken of Resolution 48 of the 38th session of the UNESCO General Assembly (November 2015) ‘Reinforcement of UNESCO’s action for the protection of culture and the promotion of cultural pluralism in the event of armed conflict’, in which the General Assembly adopted a strategy for reinforcing UNESCO’s action for the protection of culture and the promotion of cultural pluralism in the event of armed conflict and invited Member States to support the delivery of the action plan for the implementation of the strategy. The CPF could be seen as a significant step towards the UK’s acknowledgement of this resolution and acceptance of this invitation. 1.6 At a national level the CPF should liaise closely with the UK National Commission for UNESCO and with the UNESCO Chair in Cultural Property Protection and Peace at Newcastle University – the only such Chair in the world. 1.7 As noted above, there is a significant overlap between the aspirations of the CPF and the existing work of the Blue Shield (and see 4.2.1 below). It would be extremely unfortunate if the two not to coordinate and work together – in particular as the British Council lacks any significant expertise in CPP (and see 2.2 below). 1.8 The CPF provides the opportunity to show to the world that the UK has had the moral foresight to establish a long-term, viable, strategic leadership capability for CPP, much as Switzerland is acknowledged as the genesis behind and guardian of the Red Cross. As well as funding well-deserving one-off projects, the value of which may be significant on the ground in one locality but that will have little, long-term strategic value, the UK should become the acknowledged champion of CPP by setting-up and funding a central coordination function. Such a coordination capability would:
1.10 Given time, the CPF, supported by such a coordination function, could do so much more. At an international level it could place the UK at the forefront of delivering the UN Global Goals and the Consultation specifically mentions Goals 4, 8, and 12. We identify, in particular, the UN Global Goals Specific Targets to:
1.12 A coordination capacity could encourage, support, and guide holistic CPP-related objectives that would directly address the above international priorities and ODA objectives outlined in recent UK Government documents, including for example, the Building Stability Overseas Strategy (July 2011) and The National Security Strategy and Strategic Defence and Security Review (November 2015). It would, in particular, contribute to addressing the four strategic objectives of UK aid: tackling global challenges in the national interest (November 2015: “Strengthening global peace, Security and governance”; “Strengthening resilience and response to crises”; “Promoting global prosperity”; and “Tackling extreme poverty and helping the world’s most vulnerable”). Tackling global challenges noted that these objectives are all inextricably linked, and, if they were to be addressed, emphasised that a more secure, stable, peaceful, prosperous world would follow and would benefit all humankind and that such a prosperous world is strongly in the UK’s national interest. In addition to its importance in peace-building activities, a secure cultural heritage is a tangible manifestation of such a stable, prosperous world. 1.13 The introduction of the CPF under the broader ODA umbrella is acknowledged as a bold and innovative step and we recognise that even more conventional aid spending has sometimes been controversial at home, because people want to know that that such expenditure is squarely in the UK’s national interest. However, we fully support the Secretary of State’s contention that damage to and destruction of cultural property and heritage seriously undermines freedom of expression, attacks peoples’ shared sense of history and identity, and undermines social cohesion, making post-conflict reconciliation less likely. Conversely, the protection of cultural property (before, during, and after conflict) encourages a culture of peace and non-violence, stimulates global citizenship, contributes to economic prosperity, and inspires an appreciation of cultural diversity. Through its protection, cultural property can make a significant contribution to our understanding of how our common past has shaped our current world, and can make a significant, positive contribution to our mutual future. It fosters community wellbeing, sustainable development, and economic transformation helping to draw countries in, or at risk of, conflict into more stable and economically secure places thereby removing many of the causes of conflict. Tackling global challenges notes that success “requires a patient, long-term approach” but that once a strategic vision has been established and is understood it is clear that such strategic aid spending is not only the most successful but that it “can command widespread support from the UK population”. Implementing a strategic vision for the CPF with the reach and awareness to integrate a holistic approach must therefore be considered a priority. 1.14 Together with the promised ratification of the 1954 Hague Convention and its two Protocols the CPF provides an extraordinary and unique opportunity for the UK to take an international leadership role regarding CPP as an integral part of its wider ODA agenda – if it is deployed in a strategic, holistic, manner. We must make the very best use of the CPF to ensure this leadership role is established quickly and for the long-term: to leave a long-term legacy for this Government and the UK. The need for strategic vision and international leadership, currently missing and so desperately needed, will be relevant far into the future and is a role that no country has yet grasped. 1.15 Without such a strategic vision, delivered by a core, small, team with clear credibility with the international heritage community, military, police, customs, and NGO sector, the CPF will be a (not insignificant) splash in the pond. £30 million spent and gone with no legacy other than that relating to a handful of specific, unrelated, projects. It could, and must, be so much more. A small coordination team would provide the strategic vision, credibility, and focal point for the efforts of the international community’s actions regarding CPP long into the future and address the UN, UNESCO, ODA, and national aspirations mentioned above. It would work to the UK’s soft power, diplomatic, security, and ODA agendas and position the UK as the international leader and focal point for a moral, humanitarian, and sensitive approach not only to CPP in conflict, but how we wage war in the 21st Century and beyond. 1.16 The CPF should not solely be targeted on the protection of archaeological sites and museums but should encompass the full range of cultural property as identified in the 1954 Hague Convention and include all (public and private) museums, library collections, archives, art galleries etc. If allowable under ODA rules, it should also be open to addressing issues relating to intangible cultural heritage – not least amongst displaced people across the MENA region. Q1a: Please provide any comments to explain your answer to Q1. 1.17 In 1864 the Swiss Government supported Henry Dunant and his ‘International Committee for Relief to the Wounded’ to create the original Geneva Convention and the organisation that was to become the International Committee of the Red Cross. This was a strategic and visionary action that gave Switzerland the international leadership in legally guaranteeing, for the first time ever, neutrality and protection for wounded soldiers, field medical personnel, and creating the first humanitarian institution in armed conflict. It is not too much of an exaggeration to note that an analogous opportunity now presents itself to the UK. Q2: Do you agree or disagree with the principles of the Fund? 2.1 The principles – and outcomes – of the Fund appear on a first reading to be appropriate (and appear to meet ODA spending requirements). However, in some instances, there appears to be confusion in the ‘Principles’ regarding whether they relate to the applicant, the project, or the CPF itself. For example, with respect to ‘Technical relevance’ it is unclear to whom the principle is directed. Whose job is it to ensure a ‘technically relevant approach’ – the applicant or the British Council (or DCMS)? Will the British Council provide feedback and guidance so applicants can put a more appropriate solution in their proposal? As noted in 2.2 below, we are not sure the Council retains the level of expertise required for much of this detailed expert contribution. We can provide further examples of the lack of clarity if required – but a general tightening of language would be very helpful and help with clarity of responsibility and transparency. It will also heighten the need for the Council to have additional support from those with CPP expertise. 2.2 Taken together, the principles and outcomes re-emphasise the essential need for a strategic, coherent, long-term, visionary approach to the CPF, as stressed more generally in ‘Tackling global challenges’. The British Council is the ideal organisation to manage the CPF. It has the necessary network of offices in the regions and countries most in need of support and it has a pre-eminent expertise in the Arts and intangible cultural heritage. The Council would be, however, the first to admit that it lacks the specialised expertise and experience in the wider spectrum of relevant CPP activity to ensure these principles are delivered and Government aspirations are met. Hence the need for the creation of a specialised, small, coordination team to support the Council in the adherence to, and delivery of, these principles. Q2a: Please provide any comments to explain your answer to Q2. – Q3: Table 1 provides a list of potential projects under each of the Fund outcomes. Is there anything that we have not considered? 3.1 As set out in the 2015 National Security Strategy and Strategic Defence and Security Review, and noted in ‘Tackling global challenges’ conflict and instability overseas have clear consequences for UK peace, security, and prosperity. Violence and conflict in the MENA Region are causing unprecedented migration flows to Europe. Organised crime and corruption, such as that surrounding the trade in illicit antiquities, hit the world’s poorest people hardest and provide cash for criminals and terrorists. While CPP will not, of course, on its own put an end to conflict, it can make a significant contribution to post-conflict stabilisation and reconciliation. 3.2 The CPF should be allocated under five headings:
3.3 Spending under all headings should include focus on five priority areas:
3.6 It must be remembered that the critical expertise and main responsibility for the protection and use of cultural property in any country rests with the relevant experts and organisations of that country. Most communities, of course, already value their heritage but may not have the resources to protect and adequately preserve it. The CPF should not, of course, be used to impose British ideas or values in ODA countries but, through financial and expert support, enable local national experts to realise their own, and international, aspirations and responsibilities. Long-term capacity building through training is essential, as is the creation of digital inventories and archives, and disaster planning and preparedness (all proactive protection). Emergency response and activity during conflict is crucial as, as Blue Shield experience has shown, it is at this stage that critical needs can be identified and vital evidence collected. (For example, it was the Blue Shield emergency response mission to Libya in 2011 that collected evidence of the success of the NATO destruction of six mobile radar vehicles, while doing little damage to the Roman fort, at Ras Almargeb. This evidence led to NATO commissioning the review Cultural Property Protection in Operations Planning Process, that recommended, in December 2012, the creation of a NATO-level CPP doctrine.) Long-term post-conflict support (that will require a commitment of decades) is crucial not only in providing assistance for the conservation, restoration, and preservation of cultural property but also in developing formal and informal education projects for local people and in realising the potential of cultural property for the long-term well-being of communities and the economic stability of countries, perhaps especially through tourism. 3.7 It is noticeable that the list only refers to projects. In some conflict areas, the relevant trained staff, with the correct expertise and skills, remain in post. However, they frequently have little or no access to the necessary materials or equipment to conduct protection and/or stabilisation, etc. The CPF needs to retain the flexibility to buy and/or supply such materials and equipment as part of its emergency response remit. In Iraq, most conservation chemicals had been banned under external sanctions; it was only through the quick work of Dutch military CPP staff that refrigerated lorries were made available to freeze waterlogged archives to save them from rotting and for proper conservation over an almost ten year period; currently in Syria, one of the most needed restoration items is plaster… and so on. While finding funding for training is relatively straightforward, funding materials and equipment is, frequently, next to impossible. 3.8 Coordination is key to all such activity. Q4: Please tell us about any examples of existing successful cultural heritage protection initiatives operating in conflict zones in ODA eligible countries. 4.1 While there are a number of very good examples of CPP initiatives in ODA countries suffering, or at risk of suffering, conflict, one problem is the lack of a central understanding of all such activity. In part this lack of coordination has led to a number of overlapping initiatives that replicate good practice. A centralised understanding of what is going on might help to avert such unnecessary and wasteful duplication of effort. Some good practice takes place ‘off radar’ when public knowledge of its existence might jeopardise its delivery and success. We would be happy to elaborate in person if this would be helpful. 4.2 We flag four initiatives as examples of good work and one (Italy) as a potential significant development. The four are all excellent examples of existing initiatives that should serve as standard bearers of quality. The CPF should avoid all temptation to reinvent these particular wheels. Rather it should fund complementary initiatives – building on and enhancing existing good practice. 4.2.1 Blue Shield The Blue Shield was founded in 1996, in anticipation of the 2nd Protocol to the 1954 Hague convention, by the joint action of the International Council of Archives (ICA), the International Council of Museums (ICOM), the International Council on Monuments and Sites (ICOMOS), and the International Federation of Library Associations and Institutions (IFLA). As such, given the focus and remit of these organisations, it reflects the tangible, object-based approach enshrined within the 1954 Convention. Despite its entirely voluntary basis the Blue Shield has had considerable success in addressing the destruction of cultural property during conflict. As examples the Blue Shield has:Made available Site registers/locations of ‘important’ cultural property (usually produced in collaboration with colleagues ‘in-country’) in Iraq, Libya, Mali, Syria, and Yemen to the UK Ministry of Defence, the US Department of Defense, UNESCO, and NATO. We have worked to ensure that these registers are transferred to military ‘No-strike’ lists and, as a result, cultural property has been protected as at Ras Almargeb.
4.2.2 Biladi: Heritage for dialogue BILADI is a Lebanese NGO dedicated to promoting cultural and natural heritage to young people. It believes that heritage is unique and irreplaceable but, in post-conflict countries, globalization and psychological barriers have separated young people from their heritage. It is the Biladi mission is to re-establish this link, to give young people the chance to learn about their heritage, cherish it and build bridges through it. Heritage, for Biladi, is a tool for dialogue in conflict situations. Its most recent project Syria in my mind worked with Syrian refugee children in Lebanon to remind them of the importance and uniqueness of their heritage. 4.2.3 Heritage without Borders Heritage without Borders is an international charity established in 2010 that builds capacity in museum skills by matching UK heritage professionals with colleagues based in stable, post-conflict situations where resources are scarce. Its vision is “a world in which all people can preserve, interpret and celebrate their cultural heritage”. The charity works with extremely small amounts of funding and relies on experts giving their time freely – often in their holidays. Previous projects have taken place in Albania, Kazakhstan, Kosovo, and Turkmenistan. The main thing holding more work being done is lack of finances. 4.2.4 ICCROM ICCROM is an intergovernmental organization and the only institution of its kind with a worldwide mandate to promote the conservation of all types of cultural heritage. ICCROM’s ‘First Aid to Cultural Heritage in Times of Crisis’ training programme aims to equip participants with the necessary skills and knowledge to provide timely response in emergency situations. Offered within the framework of the Disaster Risk Management programme, this hands-on training is aimed at preparing proactive cultural first-aiders who will have the ability to assess risks to cultural heritage and reduce the impact of such events. The training is multidisciplinary and has inputs from other emergency actors such as military and humanitarians. Simulated emergency events, role-plays and group discussions will help in developing leadership skills. The training encourages participants to play a key role in developing initiatives for disaster risk management of cultural heritage in their respective countries. This course is an excellent example of a ‘Rolls Royce’ product. However, more limited training, based on the ideals of this course, could be developed for significantly less financial outlay. 4.2.5 Italy (http://www.un.org/apps/news/story.asp?NewsID=53232#.VsWQkYcnzIW) Italy and UNESCO have just announced the long-planned agreement on the establishment of a Task Force of cultural heritage experts and the Carabinieri per la Tutela del Patrimonio Culturale in the framework of UNESCO’s global coalition #Unite4Heritage. While there appears to be a long way to go before implementation, under the agreement it is anticipated that UNESCO will be able to ask the Italian Government to make both civilian and military experts available for deployment for the conservation of cultural heritage affected by crises. Q5: Should there be a minimum and maximum value for grant awards? 5.1 There should be two levels of grants: large and small. Both should have a two-stage application process. A short, simple, initial outline application should be submitted to check probable conformity with ODA spending requirements, any overlap with existing projects or other applications, and the suitability of proposed local partners. Potential projects that pass this stage should then be required to submit full (but not overly burdensome) applications with detailed objectives, budgets, milestones, outcomes etc. Following the good practice of the HLF, wherever possible the full applications should be completed in close collaboration with the British Council and/or coordination team to ensure maximum benefit from all funded projects and maximum overall strategic impact from the CPF as a whole. Q5a: If yes to Q5, what would you recommend the minimum grant award to be (in £)? 5.2 Putting a minimum on grants is extremely difficult and will have to balance the potentially very significant contribution a small sum might contribute – in most ODA countries a lot of training can be delivered for £10-15,000 – with the administrative costs associated with managing and monitoring the success of the grant awarded. Q5b: If yes to Q5, what would you recommend the maximum grant award to be (in £)? 5.3 Perhaps £5 million spread over the four years of the current allocation of the CPF. However, we would not want to be prescriptive over this upper level if a larger, excellent project, spread over the first four years of the CPF were submitted. Q6: Please provide any additional comments on question 5. 6.1 The critical point to make about any projects funded through the CPF is that they are strategic and form part of a wider UK vision that addresses UN, UNESCO, ODA, and national objectives and priorities. They should represent good value for money across, be fully transparent, and be open to robust, but not overly bureaucratic, independent scrutiny (reviewing, with a light touch, appropriate programme design, quality assurance, approval, contracting & procurement, monitoring, reporting, and evaluation processes representing international best practice). Q7: In your experience what are the most effective ways of monitoring and evaluating the success of projects, especially outcomes which may be harder to capture? 7.1 Measuring “impact” is going to be a priority and nightmare for the CPF. There will be a significant challenge to distinguish between short term and long term impact; the easily measurable (and tick boxing) and the complex. Wherever possible, external exemplars and advice should be accessed such as the ‘Ten Global Indicators and Targets’ of the Monitoring Framework of The Global Partnership for Effective Development Co-Operation. 7.2 Monitoring the type of projects that might be funded by the CPF is notoriously difficult. A simple metric of number of individuals trained or number of inventories created is a simple first-step – but fails to capture the long-term value of such work. Do those trained use the training in their work? Do they train others? Does the training lead to significant changes in activity or policy? Are inventories and/or catalogues used? Measuring such long-term impact can only be done over a long time period – another clear argument for the establishment of a small coordination function where knowledge of initial projects would be retained after initial success to be in a position to facilitate long-term measurement of success. 7.3 How to measure whether one (or a series of) action(s) directly prevented something or not is a challenge. Clarity over remit and success indicators will be key. 7.4 Every effort should be taken to avoid the CPF being spent entirely on attempts to mitigate current conflict ‘hot-spots’. Proactive protection, coupled with high quality training, for countries deemed to be at risk of conflict may well provide greater results in the long-term. Q8: Do you support our overall approach to the Cultural Protection Fund as outlined in Section 2.1? 8.1 While we understand the rationale for the British Council taking on the day-to-day management of the CPF, and indeed, as noted above, see the Council as an excellent choice in this respect, we are seriously concerned that it has no track record in CPP. If the CPF is to be used to the best possible ends, and if the British Council is to deliver its role effectively, it will be essential, as section 2.2.1 of the Consultation document states, to “draw in additional expertise to complement the existing skills base at the British Council”. It needs to create the small coordination team identified above and perhaps a wider advisory committee. Without such support the Council will flounder and the CPF will be misspent. 8.2 We agree that the CPF should be grant focussed and we fully support the idea that applications may be looking for funding across all four years of the CPF. The coordination team should be expected to deliver against outcomes in the same way as other applications but with the additional responsibility of supporting the British Council in its management of the CPF through its specialised knowledge and experience. 8.3 We think the timetable is extremely tight. Especially given the expectation that future governments might continue the CPF, we suggest that it is essential to get the management of the CPF and associated processes up and running in a robust way right from the start. If this means the timetable slips a little this would not be a bad thing in the long-term. 8.4 There needs to be clarity over whether the CPF can be deployed for natural disaster (as stated in Table 1 and Section 2.2 of the Consultation Document) or whether natural disaster is outside the remit of the CPF (as stated categorically at the workshop on 11 February). While it has its roots in the 1954 Hague Convention and Protocols, and therefore explicitly relating to conflict, the Blue Shield works across both conflict and environmental disaster – as the primary actors in both (the military and other emergency organisations and related NGOs) are the same. Q8a: Please provide any further comments to support your answer to question 8. – Q9: Which regions or ODA-eligible countries do you think grant funding should be targeted towards and would have the most benefit in the first year of the Fund’s operation? 9.1 Proactive protection as outlined under Q3 and Q11 should be targeted at countries deemed most at risk of being drawn into conflict across the MENA Region. This will take considerably longer than the first year of funding and should be the focus of the first four years of the CPF. In the first year, one country (we suggest Lebanon, where Blue Shield plans for proactive protection are relatively advanced, although not implemented due to lack of funding) should be a focal point to test approaches and produce a good practice template. Q10: Which regions or ODA-eligible countries do you think grant funding should be targeted towards and would have the most benefit in the subsequent years of the Fund’s operation? 10.1 See 9.1 above. The key is proactive protection before conflict breaks out. To establish effective training programmes and build reliable digital inventories and catalogues across the countries in the MENA region will take at least the first four years of funding. This work is not quick, cannot be delivered through one-off training packages with no further support, and requires at least medium-term commitment. It also needs to be framed within a wider (geographical), theoretical and policy driven approach to CPP (as for example, in the ‘4 Tier Approach’ policy of the Blue Shield). Q11: What are your views on the feasibility of working in potentially dangerous areas? Please include any advice on how the Fund could support interventions in these scenarios and examples of previous initiatives. 11.1 Security is a significant issue for CPP. A distinction should be made between nationals working to protect CP in their own country in conflict, and international support being given (financial or human – remotely or in person). Both national and international activity should be funded by the CPF. There is a large body of evidence that nationals in affected countries will take significant risks to protect their heritage, therefore interventions (best delivered as part of pre-conflict proactive protection) which contribute to their safety (e.g. with better equipment or training) must be seen as a priority. 11.2 In the best case scenario most CPP activity will have taken place before conflict actually breaks out – proactive protection and training – and we strongly recommend that priority is given to such work by the CPF: helping those at risk of conflict prepare through training and proactive protection. 11.3 In situations where international action is necessary, we recommend that any such action is usually taken by, or at least organised in strict cooperation with, the planned ‘Blue Helmets for Culture’ (see 4.1.5 above) that UNESCO holes to set-up in conjunction with the Italian Carabinieri.While it is essential for the UK to establish a CPP Capability within its own Armed Forces (and development of such a capability is already underway), if the Italian project is developed, it would be an unnecessary duplication of effort to replicate a similar Task Force within the UK. 11.4 The Blue Shield has undertaken a series of missions to countries still experiencing conflict (e.g. Egypt, Libya, and Mali) and these need extremely careful organisation and planning. Yet with appropriate membership (all missions have been undertaken by colleagues with both heritage and military backgrounds and training) and proper preparations (such as in-country military escort, and utilising in-country contacts) such missions are entirely feasible and the results can be extremely important. Previous missions have collected evidence to determine aid priorities for the international community, and to inform military CPP policies (Libya mission); set up national and international support networks and determined in-country training needs and capacity for military and heritage forces (Mali mission). In future, it may be best that such missions are carried out in conjunction with the Blue Helmets for Culture (if they are actually established) on the understanding that such a link does not limit activity. 11.5 If the military and other combatants in any conflict have received CPP awareness training and have, as a result, formed units with specific CPP responsibility, much CPP activity during conflict can, and should, be delivered by those in uniform – with ‘reach-back’ to cultural property experts out of conflict zones. Q12: Which issues relating to gender should we be aware of? Please make reference to any specific examples that you would like us to consider. 12.1 Gender is an important aspect of conflict but is not a major differentiator with respect to CPP capability. In some instances, in MENA and similar countries, the gender of external experts may be an issue – although experience has shown that it is usually not. Q12a: How could this be monitored? – Q13: Are there any other specific requirements or conditions that should be applied to programmes applying for grant funding which you think we should be aware of? Please make reference to any specific examples that you would like us to consider. 13.1 We should be aware of other Government initiatives and funds that might be accessed to support the CPF. For example, the Global Challenges Research Fund (£1.5 billion over the next five years) “has been created to ensure UK science takes a leading role in addressing the problems faced by developing countries. This will harness the expertise of the UK’s world leading research base to strengthen resilience and response to crisis”. While it is undoubtedly intended that the majority of this funding be used for addressing medical and related issues the UKs expertise in CPP should not be overlooked. Equally the expanded cross-government Conflict, Stability and Security Fund (CSSF) has been created to underpin the UK’s security objectives by supporting the international work of the National Security Council (NSC). CPP is an obvious contributor to this agenda, and such cross-disciplinary links should be encouraged and developed. 2/2/2016 Positive Response to UK Blue Shield Proposals in a Letter from Ed Vaizey MP, Minister for Culture and the Digital EconomyRead Now (A copy of the original letter can be downloaded here.)
Dear Professor Robson, Thank you for letter of 24 November 2015 to the Secretary of State for Culture, Media and Sports, The Rt Hon John Whittingdale MP. I am responding as the Minister responsible for this policy area and I apologise for the delay in replying. We are delighted to receive you and your colleagues’ support for our plans to ratify the 1954 Hague Convention and its two protocols, and for the Cultural Protection Fund. The Department is firmly committed to introducing new legislation to enable the UK to ratify the 1954 Hague Convention and its two Protocols at the earliest opportunity. We believe that doing so will ensure the UK and its cultural experts and practitioners in the field are seen to be not only serious about cultural protection, but world leaders in this area. On 25 November 2015, as part of the Spending Review, we were delighted that the Chancellor of the Exchequer announced £30million in Official Development Assistance funding for the establishment of our Cultural Protection Fund. Planning is currently underway towards implementing the Fund with the expectation of accepting grant applications in the spring. We have sent out our consultation document to you and your co-signatories, and would warmly welcome your views on the Cultural Protection Fund. Your expertise would help inform its further development. In addition, we are holding a stakeholder workshop on 11 February which I believe a number of your co-signatories are attending. I have taken Peter Stone’s points and your support of them into serious consideration – and it is precisely such strategic thinking and expertise which we are seeking with our consultation. I agree entirely with the principles behind the points on combatting duplication of effort; on the need for training; proactive prevention; emergency response; and long term support. These points cohere with the principles of the Fund as outlined in our consultation document, and correspond with the outcomes I announced at the Cultural Protection Summit of 28 October 2015, namely: cultural heritage protection, training, and advocacy and education. Indeed, the British Museum’s Iraqi Rescue Archaeology Programme, a pilot programme of the Fund, is already adhering to these aims, and we will be encouraging grant applications from other programmes and organisations who can provide services pursuant to these outcomes. We will be providing further information about the Cultural Protection Fund and on the Government’s approach to ratifying the Hague Convention in the spring of this year. Thank you again for your support and your offer of assistance in this area. I do very much hope that you will respond to our consultation document and am delighted that some of the signatories have made to time to come along to our workshops. Best wishes, Ed Vaizey MP Minister for Culture and the Digital Economy 24/7/2015 REMINDER! UK Blue Shield Renews Calls for Britain’s Ratification of the 1954 Hague ConventionRead Now The UK Blue Shield is renewing its campaign to get the UK Government to ratify the 1954 Hague Convention for the Protection of Cultural Property in the Event of Armed Conflict. Professor Peter Stone OBE, Chair of the UK Blue Shield, said: While many in the UK have reacted with indignation at the appalling destruction of ancient sites, libraries, archives, and museums in the Middle East and Africa, few seem to realise that the UK remains the only Permanent Member of the United Nations Security Council not to have ratified the 1954 Hague Convention. Ratification has cross-Party support, including support from the Department for Culture, Media and Sport; the Foreign and Commonwealth Office; the Department for Overseas Development; and the Ministry of Defence. The UK Blue Shield needs everybody who values cultural heritage to write to their MP about this urgent matter. A draft template and a factsheet can be downloaded here and here and if anyone doesn’t know the name or contact details of their MP, that information can be obtained here. If you are unsure of the need for Britain to ratify the 1954 Hague Convection, the Committee members request that you please watch this short three-minute film Protecting cultural property during war. Supporters can stay up-to-date with the UK Blue Shield and its campaign by following it on Twitter and Facebook. For further information, please use our Contact Us form. Finally, to help the Committee members keep track of the campaign, it is also asked that when anyone does write to their MP, would they please let Philip know using the email address supplied above. |
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